Weeknotes: November 18-22, 2024
Timothy Monger Timothy Monger

Weeknotes: November 18-22, 2024

Monday, November 18

It's mid-afternoon and I'm standing at the end of my block with Islay who is examining a hedge. Across the street a band loads out of an upstairs apartment. The first guy has a freshly-sculpted mohawk and a guitar case and is followed single file by two mismatched bandmates with amps and drum gear. 

At work we are assembling our year-end lists, both for the company and as individual editors. I have some focused listening to do. At dusk I head out on foot and find myself wandering though Highland Cemetery, listening to Arooj Aftab's Night Reign on my headphones. It's a good cemetery album, more seductive than spooky. As night falls, I see a woman walking a dog in my direction down the dark wooded lane and turn around so as not to scare her. On my way out I pause at the gate which is eerily lit by a high purple streetlight. Now I'm listening to the Shovel Dance Collective, a U.K. folk group who sound a bit like Ireland's Lankum. Their slow, brooding version of the old maritime ballad "The Merry Golden Tree" is a bit of a masterpiece. I love these new dark trad bands.

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Weeknotes: July 29 - August 2, 2024
Timothy Monger Timothy Monger

Weeknotes: July 29 - August 2, 2024

Monday, July 29

It's midday and my brother and I are driving up US-23 to Fenton in a borrowed truck. He puts on a low-key electronic mix that reminds me of Ulrich Schnauss' Far Away Trains Passing By, an album we both agree is the ideal downtempo vibe. We're picking up a couch our parents bought from a local furniture store to save them the shipping cost. Simultaneously, we both get a text from our boss. I'm driving, so Jamie reads it to me. Drama at the office. Six of our co-workers have been laid off amid a larger company-wide restructuring. Somehow, we have both survived another corporate culling, though it's hard to feel secure right now.

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