Timothy Monger Timothy Monger

Weeknotes: September 9-13, 2024

Monday, September 9

I'm about to go to bed and make an early night of it. As I’m switching off the lights in my studio I realize I haven't touched an instrument all day and it bothers me. I pick up my guitar and sit casually atop my desk, thinking I'll just strum through a quick song as a matter of principle. An hour later I'm still up and have the bones of a new song in place. Whenever this happens, I think what might have happened had I just skipped the exercise and not played. When a song is new, it's always your favorite one. 

I take it as far as I can, then stay up past midnight reading Leif Enger's marvelous I Cheerfully Refuse. It seemed like it was going to be a special book when I read the flap and I was right.

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Timothy Monger Timothy Monger

Weeknotes: March 18-22, 2024

Waiting in the line at the bank. Snow flurries outside, another winter after a confused series of false springs. There are a handful of customers ahead of me and each of the three available tellers is occupied with a time-consuming transaction. To my left a young guy is either depositing or withdrawing his savings bonds. "This is a very grandparent thing to do, especially these days" comments the manager. The guy is wearing white New Balance sneakers, the kind with giant chunky orthopedic soles. He's already dressed like his grandpa. To my right a woman pulls her brother's death certificate out of her purse, hoping to close his account and withdraw the remaining balance. It's apparently too large a sum for the bank to handle this afternoon and she'll have to come back next Wednesday. Directly in front of me a woman in a corduroy fedora is silently involved in some unknown, but laborous business with her teller. A man wearing one of those black brimmed Stevie Ray Vaughn hats with silver bangles around it is sitting masked in one of the waiting room chairs. An electronic doorbell ding-dongs every time someone walks in or out.

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